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	<title>Comments on: The Fifth Act Community - A Wrightian Ecclesiology, part 1 of 3</title>
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	<link>http://www.ntwrightproject.com/2010/05/15/the-fifth-act-community-a-wrightian-ecclesiology-part-1-of-3/</link>
	<description>A Collaborative Study on the Work of Tom Wright</description>
	<pubDate>Sun, 05 Feb 2012 09:43:36 +0000</pubDate>
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		<title>By: The Fifth Act Community &#8211; A Wrightian Ecclesiology, part 1 of 3 &#8211; Smashing Ignorance</title>
		<link>http://www.ntwrightproject.com/2010/05/15/the-fifth-act-community-a-wrightian-ecclesiology-part-1-of-3/#comment-52869</link>
		<dc:creator>The Fifth Act Community &#8211; A Wrightian Ecclesiology, part 1 of 3 &#8211; Smashing Ignorance</dc:creator>
		<pubDate>Mon, 25 Apr 2011 04:33:35 +0000</pubDate>
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		<description>[...] here: The Fifth Act Community &#8211; A Wrightian Ecclesiology, part 1 of 3  Tags: culture, ecclesiology, keas, politics, religion, var-page, yoder   input, textarea{} [...]</description>
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		<title>By: Mary Knapp</title>
		<link>http://www.ntwrightproject.com/2010/05/15/the-fifth-act-community-a-wrightian-ecclesiology-part-1-of-3/#comment-25612</link>
		<dc:creator>Mary Knapp</dc:creator>
		<pubDate>Wed, 19 May 2010 03:57:32 +0000</pubDate>
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		<description>This is an interesting challenge to the church, requiring us to immerse ourselves in the scriptural drama of the first four acts, while being nimble on our feet to improvise.

If we are to be faithful to the author, our reliance on the Holy Spirit has to be complete, and our wills completely pliable to her leading. It seems that the Father was the primary director during the first and third acts, our prideful human nature directed the second act, and Jesus was the prime protagonist of the fourth act. 

I am a fan of children's literature, and in particular of E. Nesbit, a British writer and close friend of George Bernard Shaw. In "The Railway Children," a novel essentially about courage in the face of calamity, the children's mother ekes out a living by writing stories. When asked by her daughter how their particular life story will end, the mother replies that they don't know how the story will end, but it's ok because God is the writer. 

As the church, we do know how the story will end, because the writer has graciously let us in on it, but we must let our director, the Holy Spirit, define our roles and cue our lines and actions.

This is a challenging and thrilling post.</description>
		<content:encoded><![CDATA[<p>This is an interesting challenge to the church, requiring us to immerse ourselves in the scriptural drama of the first four acts, while being nimble on our feet to improvise.</p>
<p>If we are to be faithful to the author, our reliance on the Holy Spirit has to be complete, and our wills completely pliable to her leading. It seems that the Father was the primary director during the first and third acts, our prideful human nature directed the second act, and Jesus was the prime protagonist of the fourth act. </p>
<p>I am a fan of children&#8217;s literature, and in particular of E. Nesbit, a British writer and close friend of George Bernard Shaw. In &#8220;The Railway Children,&#8221; a novel essentially about courage in the face of calamity, the children&#8217;s mother ekes out a living by writing stories. When asked by her daughter how their particular life story will end, the mother replies that they don&#8217;t know how the story will end, but it&#8217;s ok because God is the writer. </p>
<p>As the church, we do know how the story will end, because the writer has graciously let us in on it, but we must let our director, the Holy Spirit, define our roles and cue our lines and actions.</p>
<p>This is a challenging and thrilling post.</p>
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